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"One girl pen girl, Mar Venegas, special mention at the Prix

Http://criticadepoesia.blogspot.com/2011/03/premio-ausias-march-los-mejores.html

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Culturama Ausias March. On "Girl girl pen anyone," Mar Benegas. By Alberto Garcia Alberto

http://www.culturamas.es/blog/2011 / 03/24/ninabenegas /

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Zapata Aless Interview. "AIRCRAFT''(Official music video) Girl Feat Malverde Dioz

videos in the class where the promotion of an artist is prevailing, we can look at a myriad of music, where at maximum, we see a saturation of images, poor quality and visual mediocrity.

If there is a side? There is a counterpart. In the kind of music where the music of the artist is complicit in the image forming each an artistic game and supplementing it with the movement of the artist. Alongside the pictures, show the director's creativity, experience and visual cleanliness, resulting in avid viewer, a huge explosion auditory and visual.

To that side, is aimed an arrow at the tip hanging brings the video clip girl official Dioz feat Malverde Aless under the leadership of Zapata, "Aircraft"

Aless Zapata

By Emma Cobos Cobarrubias

Zapata Aless Who is and who does?

Argentina I'ma mix with Cuban swing, born in Miami and raised in Mendoza Argentina for 28 years and residing in Mexico City.

How were your beginnings?

I started in video editing, where he polished the work already done. Later I had the ambition to create my own shorts. Three years ago he came to Mexico and this is where I define what I want to spend.

How do you see the creative scene in Mexico?

Very strong, competition is intense, a lot of creativity in the underground scene. Graffiti artists, designers, photographers, musicians, publicists, people all the time, doing something.

define your work in Mexico. How has it influenced the Mexican art scene?

In mature, I have grown both personally and professionally. That is to say, I left Miami at age 24, where the scene was just blossoming Vj underground, working there for a year in a visual setting of South Beach club, alongside the visuals you to local Miami bands, as Afrobeta Universal Citizen and then do a tour with Paulina Rubio.

Was the 2007 in Miami?

If, as in 2009 in Mexico AK3TREX formed the rock band with a French artist, then Bears Project with a Venezuelan, I join a duo of DJ and born Lasser mode, my visual experiments in other artistic trends and poetry and close again in 2009 in Paulina Rubio City Pop Tour live viewing in the National Auditorium, come to Guadalajara, Monterrey, Puebla and OYE Awards.

We're talking aircraft, a Hip Hop Girl theme Dioz and Malverde is your debut film. Why would a make a video of hip hop?

Gender is, but not hip hop, listen to hip hop and latin usa and look much different. Not only the sense of grievance ...

There scenery dominated the graffiti, there are elements in this song that define it's own Hip Hop How different view?

The topic is an important call on society to demand to be heard. Mexico has very good level, however, have not lived as a foreigner except that foreigners are doing very well and everything is very easy for the artist regardless of genre.

It however you could you express very well. The scenery, the people, the city.

True, the set I chose to show this side more colorful, painted walls in the center of the city, put Niña Dioz among people, real people, real eyes with her looks and real situations. I do not know without originals, but what I get is the people of the Mexican people.

How was working with Girl Dioz, Malverde and his music?

I liked what I did Dioz girl from the beginning, their music, their lyrics reflect their daily lives. This track in particular meant a lot to me; but these settle for something you have a right to say and you can scream. The song inspired me and making a video of this song was a way to contribute to contribute something.

was a little complicated in the matter of time, we take 4 months to the process of recording and editing, Malverde finally sent me his material, because a part was recorded in Los Angeles. But I loved the result.

What will you do tomorrow?

I'm going to an interview and then to a SME Expo, opening think of me and I shut production house all day watching Plays many video takes the aircraft.

So far 602 views in 7 hours.

Aless Zapata. 2011

How To Wire A Powered Subwoofer

Teresa Infante presented "Assuming the scar of the wound as possible," Rebecca Alvarez

I started reading this book for the first poem entitled Cuervo and I said Poe.

reread the famous poem by Poe looking for an echo. Then I looked better in the poem by Rebecca and I noticed the last line: "At the moment the crow is a bird ".

do now? told me. What bird is more than Poe's raven?

Then I went to the final, the last stanza of the last poem in this book Rebecca: "If we shadows. If only souls. If Plato ". This, I said, it was signed by Poe. And Kafka, his great admirer. And Marcel Schober. And Borges.

I read in that key Along days and The house eyed and The act of listening. Then I stood in the absence Assuming that leads into a verse of Gamoneda and ends with a stanza defining:

"Bocas tiny bite cankering goodbye,

time preventing the analgesic function.

Assuming the existence of time to lick wounds.

Assuming the scar as the possibility of injury.

And assuming that the absence clot surrounded by insects. "

There are verses that are worth a whole book. In this stanza are five of them.

Finally when I finished the Coven below and I confirmed my first impressions, I ran into Freudian princess and that made me change the plug.

The Brothers Grimm, I thought. But not just any but the brothers Grimm brothers Grimm's Psychoanalysis Fairy Tales by Bruno Bettelheim.

course, as I remember, Bettelheim never wrote "Loneliness has no antonym / and repetition / is the triumph of frog / about man . To write that is not enough to be a reader and psychoanalyst and worship. It needs to be a poet.

In what follows, of course, incest. Ie , Amstetten. monster daughter. A monster happens and the Terror, or evil: are everyday and banal. Buy bread and the newspaper in our own corner. Elevator and stairs share with us.

A poem that starts again with a precision of chill: "I was devoured by the nest .

and after the monster, the caterpillar, the chrysalis, the insect. For only being "giving birth under the turf track" can be heard " the roots of trees to dig into the earth."

And you have to hear to be known "without a shadow, there just " in a "body breached a thousand times" come "to light in darkness and silence " , wondering if one lives or dies, whether or mirror nightmare, as we face Rebecca.

words, hoping and fearing to get rid of the prison and follow it, "find another hand in finding the switch." That is, not knowing if we find, at last, with the true Other, who is out there and so it can be liberating and not to the predator daily, thick and viscous, which awaits us from his little black mustache.

This poem concludes the first part of the book, no accident, Rebecca has titled "Night of profile " and contains nine poems as powerful as the original, so beautiful as terrifying. So you know, do like me: read it just before bedtime.

And if we were that night, of course, the cosmic cycle and the Unconscious, the prison of the material and mental chains that pull us to the cancellation and madness, in "Before air " take a step to something else.

a difficult, tortuous, but finally happened after all, no one promised us anything, much less that the path to liberation was a picnic. Needless to flee from an oppressive childhood "to a world for air " , we guarantee an outing, a future.

Some poets - I can think of three: Sylvia Plath, Anne Sexton and Alexandra whose works Pizarnik Share this book certainly more of a reference - not found. Or at least not in the "should knife of words" as suggested by Rebecca sometime.

Calling things by their name, ie violation of rape, incest, incest monster, the monster even if your father (or precisely because it is) help. Go if it helps. But not enough. Then you have to live with the scar. And the scar, we all know, it contracts and expands with changes in time, it hurts when it's cold and sometimes oozing.

Nor just force the issue to make good poetry. It also require verbal richness, sense of rhythm, imagination, sentiment. And a slow and patient that can build gold jewelry as

"souls who have been tortured

start from further away,

its truth

forks at the beginning "

O as

"dismembered never live

that life without crutches waiting,

far you, full of scratches. "

For every raped child, every woman attacked, all girls and women worldwide. And men who have made the monster and we destroy. For all of them, of course. Y also for ourselves.

For as we have learned, the notion of victim is "inseparable from the idea of \u200b\u200bguilt" and the more advanced "the more you retain the anchor of the executioner" .

Recently these are - thankfully - ideas which are publicized and discussed. With this propensity to banality, unfortunately inseparable from coated paper and theater cathode. But hey: at least discussed.

And yet, what catches the poems of Rebecca is not so much ideas but its form.

In verse - back to Poe - how is the idea and this can only exist, acquire substance, seduce or challenge us in a certain way and not others. The form, as Rebecca made from the first verse, plunges us into a universe, we are surrounded by an atmosphere. And is there in that atmosphere that they built, where the poems of Rebecca aboriginal women its highest expression.

Until, slowly at first, more rapidly later, "are breaking the waters reality, its flow levees burst " and produced this" blast "that we start from childhood, the overwhelming atmosphere of childhood. As Rebecca says:

"Ultimately there are only

red flowers on a grave

and are the beginning of the road "

What happens is that, as postulated " Reprint ", the third and final part of this book, all are becoming aware - if you buy - later. In general, too late. And you're always left with the uneasy feeling that, however much repeat Poe's raven, "Nevermore, nevermore" perched on the bust of Athena, that consciousness is never complete. There is always something more.

Because, for starters, says Rebecca "What do the anger / when you ignore the location of the ashes?"

And second, because despite the time elapsed, and the pain and effort, often "the alien who lives in you / child joins with the balls of your feet" (by the way, great The vodka and misandry, where this verse poem)

O, which is the same, that The aftermath of incest nest in the subconscious during the warmer months as entitled the latter, and in my opinion, one of the most successful poems in the book, the ending, let me repeat:

"If we have no body, if the aestivation

crocodile did not pose a threat.

SI hands

not be a shortcut to the light.

If we shadows. If only souls. If Plato

But not us. Or not alone. And, of course, Plato is better than Prozac. And vodka. And that any crucifixion more or less drunk on any cot. But the last therapy - Freud dixit - is summed up in two commitments: Love and Work.

is so difficult.

It's that simple.

To which I would add a third: Poetry.

As a literary genre, Poetry is probably the worst is explained and the less you need. People who read and hear poetry, we care little what was what the poet meant, or if he meant something. For us, the poem is what I read or heard triggers within us. What each of us feel and live, and is found wanting to feel and live, thanks to him. Which, of course, tends to vary each time you read or hear.

I enabled me to share with you today some of the things that reading Rebecca's first book I have mentioned. In the foreword he has written, Julieta Valero, proposes another evocation, another reading.

That is good poetry, that is inexhaustible because it allows multiple interpretations and proposed.

This book allows them he is good. It is actually very good. And you know how I know? Reading because I felt envy. And I would have liked to have published at the age of Rebeca first book like this. Violent and tender. Beautiful and terrible. Committed, as it must, in the most intimate and profound sense of the word.

I recommend it for real.

Thank Rebecca for having written and dare to publish it.

And thank you very much to Amargord, ie Chema de la Quintana , to launch a collection like Candela and have edited.

Alberto Infante

March 2011

Famosas Mexicanas Singando

About Tirzah Fund. E. Vasconcellos, in Getafe Capital.com

http://getafecapital.com.mialias. net/index.php/cultura/menu-cultura/6270-soy-caotica-escribiendo

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New presentation of "Assuming ..." By José Ángel Barrueco

http://lanochedeperfil.blogspot.com/2011/03/orillas-de-avila.html

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: "The usual ritual" by Cristina Morano. Star

http://cristinamorano.blogspot.com/2011/03/critica -de-jose-angel-barrueco.html

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Star Juárez present his collection of poems,

With voice-edge

Women's Day in El

Hogar de Extremadura de Móstoles

http://hogarextremenodemostoles.blogspot.com/2011/03/dia-internacional-de-la-mujer.html

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Presentation at The Book House in "The usual ritual,

Next
Monday February 28 Cristina Morano

Madrid will be presenting The usual ritual .
On the table will also be José Ángel Barrueco
and Rebeca Alvarez .

be in La Casa del Libro (c / Hermosilla, 21) at 19h

Poems, biography and more about Cristina Morano (here)
the author's personal blog (here )

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About Cristina Cristina Morano Morano, by José Oscar López Triple

Cristina Morano is not a poet of the golden mediocrity

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presentation of three of the authors of Candela Biography Tirzah

Ana García Cejudo

(poems and data here)

present his second collection of poems Leaves black notebook.

h-elena rodriguez (here)

present n o not in his eyes and other seeds ,

poems with which I won the poetry prize Marcos R. Pav ng organized by José Hierro FCP

and now becomes part of the collection Candela.

Rebeca Alvarez Casal del Rey (here )

present the second edition of his poems

Assuming the scar as the possibility of injury ,

with new poems and without making of.

will be at an event organized by Bolo

will be at Andy's Bar

c / Lavapiés corner c / Jesus and Mary

Lavapiés Meters and Tirso de Molina

( To learn how click here to get )

The Saturday, February 5

at 21h

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Tirzah Box

a degree in psychology and art professor Glass and Ceramics. Assists various group gatherings such as "Poets conversations" and "Poets with Iron latter integrated in the activities of the Foundation José Hierro Poetry Center, where active since 2007.

During this time he has participated in collective performances and radio program specializing in poetry Station Blue, directed by Ignacio Elguero.

has published poems in various websites on the Revista Iberoamericana Virtual Caribbean Termite, in Journal of Mathematical magazine and the anthology Boca Aboca , published by the Foundation Center Poetry José Hierro. It also stressed its role as a founder and the editorial board of the journal of poetic rambling Atlas.

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For Jesus General Fund. Presentation of "girl pen girl anyone," Mar Benegas, the FNAC (Valencia)

in the world opens a crack.

And inside the crack extends the pain of non-visible. Walking through it

supposed to take sides. "It will fall thirst, but not the way."

Arrive from afar, reaching the compassion of a mother in the distance see the kids.

Other children (which may be us).

And feel from them how Reality is choking the real, the self, the imagined. How are strengthened and slowly build the shells of the everyday. Understand the day to day as the loss of an eternal paradise, infants of a timeless realm.

"so we children die of grief"

arrived from far away, and dragged us the masks that disguise childhood. And, as fragile and vulnerable beings, laugh and cry.

The poet can not but admire this ruined world that welcomes us, and full of anger, reacting to these poems, "Songs of milk crying."

It's not all frustration and despair. Appears in us-metaphor-language children as a joy, a toy that cradled, appoint hatred, death, tomorrow as a first step toward hope. Inventing

another world, raise other households, other corners.

The embrace and caress the other language which houses the another word that can save us warm.

"and Poetry is born. (...)

the voice of the oppressed emanates from this orgy "

in the place of death

" where the cry

seeks

back "

comes a frail little girl, a girl pen.

That meets the finger prints of the other children running,

with his own mark with his memory.

With this "invisible circle " that surrounds and protects.

"air memory."

did it go?

where does this girl anyone?

what was your first word?

crystals, their anxieties,

who the disinherited of their land?

who cut words in the air?

after fear, " fear is dumb and dies word."

And with all these raw charred

poet recognizes his past dowsing

your search ... among the feathers of birds,

the stillness of memories of his home, his hell

stable

"Silence of the objects

and cracks in the walls"

But

known background, the girl

pen, the girl nobody

always in the word,

"rubble"

be a niche to survive ...

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Presentation of "The most beloved names" by Tirzah Fund. In José Hierro

She

Tirzah Fund will present his first collection of poems,
The most beloved names in the Foundation
Poetry Center José Hierro, in the cycle
Literary Panorama.
will be on Thursday January 27
in Center Auditorium, at 2000 h
C / José Hierro, 7 Getafe (Madrid)
http://www.cpoesiajosehierro.org/index.php/principal/contacto

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Ana Vega talks about "Brief testimony at a glance" In The Cloud

http://www.rtve.es/mediateca/audios/20110110/nube---sentido--provocacion---10-01-11/984417.shtml

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Cuervo Radio 3 (Rebeca Alvarez Casal del Rey "Assuming the scar as the possibility of injury")

Cuervo


There is one other night by the day begins.

A profile other night,
next to the pool. His eye
is the vanishing point of the garden, its silhouette is
Chinese shadow on the wall, gates

caged by the reflection of the water tremble.

A profile other night

disheveled dolls around noon. And suddenly

fanning the air that contains
and cicadas are silent a moment.

There is also a girl,
is lying in the sun on the grass.
And there is a profile other night,
maybe (if you leave) would kiss his eyes.
But she sleeps,
of when the crow is a bird.

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Introducing 'pen Niña, Niña no "Mar Benegas, the FNAC (Valencia)

Resubmission of pen Niña, Niña no
of Mar Benegas ,
in FNAC San Agustín (Valencia ) .

video-poems will be projected in some texts of the poems, made by visual artist Gómez Jmi .
And there will be music by the hand of Lucho Roa , singer / songwriter who has put music to some of the poems in the book.


The event will be presented by Ge Jesus, who will say a few words about N Iña pen replace the prologue, Victor Gomez, not may attend.
also taking Rebeca Alvarez, coordinator of the library Candela, which owns the poems (Amargord Editions) .


L be e next Tuesday, January 25 at 7:00 p.m.
I hope!

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" Today has dawned so "(Tirzah Fund," The most beloved names ")

H o has dawned so circumstantial

stretches for one day

contemplatively

born a stone strips

water

committed suicide a sparrow

without your consent

and are not

but you

hope that everything resolves itself.

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THE REAL AND THE DISASTER. Review of Culturama on "Assuming the scar of the wound as possible," Rebecca Alvarez. By Maria Solis

http://www.culturamas.es/blog/2010/11/30/suponiendo-la-cicatriz-como-posibilidad-de-la-herida-lo-real-y-lo- casualty /

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Poem "Assuming the scar of the wound as possible." Casal del Rey Alvarez Rebeca

The aftermath of incest nest in the subconscious during the hot months

lamp switch, company

bed. Silence.

bustles in the distance Something deep sleep.

surface

water

seems a solid layer

that could stand with his hands. Trepanation.

His dark

could hide

something.

A stationary existence

ahead. beings

pre-Flood and jagged.

Just knowing

that are there, there,

awakens.

sweat, panic, scream. Light.

light always

and eternal love affair with his hand.

Too

documentaries. Sex,

supposed conversation and time

when practiced in the company.

So many detours!

If exisit shortest path ...

If you really (and pray topics)

man was the male fertilizing

that goes straight to the point

and retracts after intercourse.

insomnia And your side.

If we have no body, if the aestivation

crocodile did not pose a threat.

If hands

were not a shortcut to light.

If we shadows. If only souls. If Plato.

;

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The Nightmare and the mirror (Rebeca Alvarez Casal del Rey "Assuming the scar as the possibility of injury")

The Nightmare and the mirror


bulle entangled sheets and breathes down

dreams that the fragile genealogy of the gravediggers, gardeners
death
frail and poor foundations. Da
jumped,
almost awake to dream a stumbling
in advance by the doze.


The problem came to light (and mirror).

Snakes of restlessness,
scurrying for the covers,
him the
glass that broke in the kitchen at midnight.
I was a little modesty might show well, because his condition

container did not allow the use of cosmetics.
Despite the seams,
continued to advance, or at least tried. Rooted
tiles to finish the journey. Useless
foundations!
If you bring at least some balance
...

Underfoot, the bits (hungry and dentate)
himself.
is a little light filtered through the slots
the blind, but in the end
shadow came,
loaded with amnesia.
And quiet.


The problem came from the lamp,
fragments were reflected in the annoyance
of eyes.

Then came the problem of the broom;

the scene was identical to itself, resting in peace
,
but with an ellipsis.

vomiting on the carpet
-feast-
psychoanalytic classified by colors and sizes.

The jailer asked (very polite)
if you kindly allow your bowels
extend the ground,
to see if the problem were the focus.


One moment everything was still curable.
He opened his shirt, fingers
introduced in the skin into the liver,
and laid him on his palms
-take and eat. At the foot


's deathbed, as the executioner
going to die, son,
have to relieve me and be
your own butcher.
these nails help you, let
them from rusting in the open
until the time comes. And when I

me bury myself. Boiling

fish
drowning between the skin and pajamas. Awake
suddenly
by the terrifying certainty of the lucidity of the gardener.

His hand was afraid to find another hand in the search
switch.

In light bulb, a little peace.
Some events define us
he thought it irreversibly.

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"Silence is cannibal" (Tirzah Fund, "The most beloved names") Excerpt from the prologue

l E silence is a cannibal, devours

inside without shared.

Outdoor everything in order.

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of "The most beloved names" by Tirzah Fund. By Eva Chinchilla

"Tirzah's voice box is not that they intend to lead you on a one-way, either by way of double meaning, before it a voice that opens possibilities: E call in his voice had the necessary records / Senses open all the words. To hear everyone can see how dramatically his shyness acts in loudspeaker, a voice if not broken, it does polyphonic cuts and breaks, if not twelve-tone, then with something as compelling as tough on her, well logs of a voice, ways to hurt or go away, something he can do with expertise in many poems of The most beloved names.

(...)

And the experience of his poetry, also undoubtedly song: better than anyone like so many other truths, that the poet knows Manolo Romero, high elf in this book: "Is this an inward voice, a voice of fado." And if we add the box-cage analogy is because in poetry as in other arts, the use of reality is at the service also the transformation of reality. Tirzah's poetry crosses and crumbling fragments of reality, and if you stick only to what was left standing, you are giving up the possibility of a transformation will become the beginning of a cave-in that allows the output, inward journey, the mutation mode, those boxes inside which the magic happens, especially to gather the previous section, in a cage. If you dare, what remains of your reality may now be equated with what other to what puts you out. If you scared, you will remain convertidx on what keeps you from going out and it is also that to which you cling, is exposed, but not free, yet it still offers the magic box so generous to show the cage or island where you both still alive. "

EVA CHINCHILLA

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About "Brief testimony of a look," Ana Vega. By Alberto García-Teresa. Culturama

http://www.culturamas.es/blog/2011/01/ 22/breve-testimonio-de-una-mirada-de-ana-vega /

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Pictures presentation of "brief testimony at a glance" and "Women dusk" Ana Menéndez Vega and Ada respectively. By María Jesús Rodríguez Flórez

http://conluzmediante.blogspot.com/2011/01/libreria-cervantes-jueves-20-de-enero.html