"Tirzah's voice box is not that they intend to lead you on a one-way, either by way of double meaning, before it a voice that opens possibilities: E call in his voice had the necessary records / Senses open all the words. To hear everyone can see how dramatically his shyness acts in loudspeaker, a voice if not broken, it does polyphonic cuts and breaks, if not twelve-tone, then with something as compelling as tough on her, well logs of a voice, ways to hurt or go away, something he can do with expertise in many poems of The most beloved names. (...)
And the experience of his poetry, also undoubtedly song: better than anyone like so many other truths, that the poet knows Manolo Romero, high elf in this book: "Is this an inward voice, a voice of fado." And if we add the box-cage analogy is because in poetry as in other arts, the use of reality is at the service also the transformation of reality. Tirzah's poetry crosses and crumbling fragments of reality, and if you stick only to what was left standing, you are giving up the possibility of a transformation will become the beginning of a cave-in that allows the output, inward journey, the mutation mode, those boxes inside which the magic happens, especially to gather the previous section, in a cage. If you dare, what remains of your reality may now be equated with what other to what puts you out. If you scared, you will remain convertidx on what keeps you from going out and it is also that to which you cling, is exposed, but not free, yet it still offers the magic box so generous to show the cage or island where you both still alive. "
EVA CHINCHILLA
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