videos in the class where the promotion of an artist is prevailing, we can look at a myriad of music, where at maximum, we see a saturation of images, poor quality and visual mediocrity.
If there is a side? There is a counterpart. In the kind of music where the music of the artist is complicit in the image forming each an artistic game and supplementing it with the movement of the artist. Alongside the pictures, show the director's creativity, experience and visual cleanliness, resulting in avid viewer, a huge explosion auditory and visual.
To that side, is aimed an arrow at the tip hanging brings the video clip girl official Dioz feat Malverde Aless under the leadership of Zapata, "Aircraft"
Argentina I'ma mix with Cuban swing, born in Miami and raised in Mendoza Argentina for 28 years and residing in Mexico City.
How were your beginnings?
I started in video editing, where he polished the work already done. Later I had the ambition to create my own shorts. Three years ago he came to Mexico and this is where I define what I want to spend.
How do you see the creative scene in Mexico?
Very strong, competition is intense, a lot of creativity in the underground scene. Graffiti artists, designers, photographers, musicians, publicists, people all the time, doing something.
define your work in Mexico. How has it influenced the Mexican art scene?
In mature, I have grown both personally and professionally. That is to say, I left Miami at age 24, where the scene was just blossoming Vj underground, working there for a year in a visual setting of South Beach club, alongside the visuals you to local Miami bands, as Afrobeta Universal Citizen and then do a tour with Paulina Rubio.
Was the 2007 in Miami?
If, as in 2009 in Mexico AK3TREX formed the rock band with a French artist, then Bears Project with a Venezuelan, I join a duo of DJ and born Lasser mode, my visual experiments in other artistic trends and poetry and close again in 2009 in Paulina Rubio City Pop Tour live viewing in the National Auditorium, come to Guadalajara, Monterrey, Puebla and OYE Awards.
We're talking aircraft, a Hip Hop Girl theme Dioz and Malverde is your debut film. Why would a make a video of hip hop?
Gender is, but not hip hop, listen to hip hop and latin usa and look much different. Not only the sense of grievance ...
There scenery dominated the graffiti, there are elements in this song that define it's own Hip Hop How different view?
The topic is an important call on society to demand to be heard. Mexico has very good level, however, have not lived as a foreigner except that foreigners are doing very well and everything is very easy for the artist regardless of genre.
It however you could you express very well. The scenery, the people, the city.
True, the set I chose to show this side more colorful, painted walls in the center of the city, put Niña Dioz among people, real people, real eyes with her looks and real situations. I do not know without originals, but what I get is the people of the Mexican people.
How was working with Girl Dioz, Malverde and his music?
I liked what I did Dioz girl from the beginning, their music, their lyrics reflect their daily lives. This track in particular meant a lot to me; but these settle for something you have a right to say and you can scream. The song inspired me and making a video of this song was a way to contribute to contribute something.
was a little complicated in the matter of time, we take 4 months to the process of recording and editing, Malverde finally sent me his material, because a part was recorded in Los Angeles. But I loved the result.
What will you do tomorrow?
I'm going to an interview and then to a SME Expo, opening think of me and I shut production house all day watching Plays many video takes the aircraft.
So far 602 views in 7 hours.
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| Aless Zapata. 2011 | |
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