March 2011

Thursday, March 24, 2011

Sample Letters Of Disconnecting The Service

"One girl pen girl, Mar Venegas, special mention at the Prix

Http://criticadepoesia.blogspot.com/2011/03/premio-ausias-march-los-mejores.html

Nadine Jansen Floor Cleaning

Culturama Ausias March. On "Girl girl pen anyone," Mar Benegas. By Alberto Garcia Alberto

http://www.culturamas.es/blog/2011 / 03/24/ninabenegas /

Wedding Welcome Bag Sample

Zapata Aless Interview. "AIRCRAFT''(Official music video) Girl Feat Malverde Dioz

videos in the class where the promotion of an artist is prevailing, we can look at a myriad of music, where at maximum, we see a saturation of images, poor quality and visual mediocrity.

If there is a side? There is a counterpart. In the kind of music where the music of the artist is complicit in the image forming each an artistic game and supplementing it with the movement of the artist. Alongside the pictures, show the director's creativity, experience and visual cleanliness, resulting in avid viewer, a huge explosion auditory and visual.

To that side, is aimed an arrow at the tip hanging brings the video clip girl official Dioz feat Malverde Aless under the leadership of Zapata, "Aircraft"

Aless Zapata

By Emma Cobos Cobarrubias

Zapata Aless Who is and who does?

Argentina I'ma mix with Cuban swing, born in Miami and raised in Mendoza Argentina for 28 years and residing in Mexico City.

How were your beginnings?

I started in video editing, where he polished the work already done. Later I had the ambition to create my own shorts. Three years ago he came to Mexico and this is where I define what I want to spend.

How do you see the creative scene in Mexico?

Very strong, competition is intense, a lot of creativity in the underground scene. Graffiti artists, designers, photographers, musicians, publicists, people all the time, doing something.

define your work in Mexico. How has it influenced the Mexican art scene?

In mature, I have grown both personally and professionally. That is to say, I left Miami at age 24, where the scene was just blossoming Vj underground, working there for a year in a visual setting of South Beach club, alongside the visuals you to local Miami bands, as Afrobeta Universal Citizen and then do a tour with Paulina Rubio.

Was the 2007 in Miami?

If, as in 2009 in Mexico AK3TREX formed the rock band with a French artist, then Bears Project with a Venezuelan, I join a duo of DJ and born Lasser mode, my visual experiments in other artistic trends and poetry and close again in 2009 in Paulina Rubio City Pop Tour live viewing in the National Auditorium, come to Guadalajara, Monterrey, Puebla and OYE Awards.

We're talking aircraft, a Hip Hop Girl theme Dioz and Malverde is your debut film. Why would a make a video of hip hop?

Gender is, but not hip hop, listen to hip hop and latin usa and look much different. Not only the sense of grievance ...

There scenery dominated the graffiti, there are elements in this song that define it's own Hip Hop How different view?

The topic is an important call on society to demand to be heard. Mexico has very good level, however, have not lived as a foreigner except that foreigners are doing very well and everything is very easy for the artist regardless of genre.

It however you could you express very well. The scenery, the people, the city.

True, the set I chose to show this side more colorful, painted walls in the center of the city, put Niña Dioz among people, real people, real eyes with her looks and real situations. I do not know without originals, but what I get is the people of the Mexican people.

How was working with Girl Dioz, Malverde and his music?

I liked what I did Dioz girl from the beginning, their music, their lyrics reflect their daily lives. This track in particular meant a lot to me; but these settle for something you have a right to say and you can scream. The song inspired me and making a video of this song was a way to contribute to contribute something.

was a little complicated in the matter of time, we take 4 months to the process of recording and editing, Malverde finally sent me his material, because a part was recorded in Los Angeles. But I loved the result.

What will you do tomorrow?

I'm going to an interview and then to a SME Expo, opening think of me and I shut production house all day watching Plays many video takes the aircraft.

So far 602 views in 7 hours.


Aless Zapata. 2011

Tuesday, March 22, 2011

How To Wire A Powered Subwoofer

Teresa Infante presented "Assuming the scar of the wound as possible," Rebecca Alvarez

I started reading this book for the first poem entitled Cuervo and I said Poe.

reread the famous poem by Poe looking for an echo. Then I looked better in the poem by Rebecca and I noticed the last line: "At the moment the crow is a bird ".

do now? told me. What bird is more than Poe's raven?

Then I went to the final, the last stanza of the last poem in this book Rebecca: "If we shadows. If only souls. If Plato ". This, I said, it was signed by Poe. And Kafka, his great admirer. And Marcel Schober. And Borges.

I read in that key Along days and The house eyed and The act of listening. Then I stood in the absence Assuming that leads into a verse of Gamoneda and ends with a stanza defining:

"Bocas tiny bite cankering goodbye,

time preventing the analgesic function.

Assuming the existence of time to lick wounds.

Assuming the scar as the possibility of injury.

And assuming that the absence clot surrounded by insects. "

There are verses that are worth a whole book. In this stanza are five of them.

Finally when I finished the Coven below and I confirmed my first impressions, I ran into Freudian princess and that made me change the plug.

The Brothers Grimm, I thought. But not just any but the brothers Grimm brothers Grimm's Psychoanalysis Fairy Tales by Bruno Bettelheim.

course, as I remember, Bettelheim never wrote "Loneliness has no antonym / and repetition / is the triumph of frog / about man . To write that is not enough to be a reader and psychoanalyst and worship. It needs to be a poet.

In what follows, of course, incest. Ie , Amstetten. monster daughter. A monster happens and the Terror, or evil: are everyday and banal. Buy bread and the newspaper in our own corner. Elevator and stairs share with us.

A poem that starts again with a precision of chill: "I was devoured by the nest .

and after the monster, the caterpillar, the chrysalis, the insect. For only being "giving birth under the turf track" can be heard " the roots of trees to dig into the earth."

And you have to hear to be known "without a shadow, there just " in a "body breached a thousand times" come "to light in darkness and silence " , wondering if one lives or dies, whether or mirror nightmare, as we face Rebecca.

words, hoping and fearing to get rid of the prison and follow it, "find another hand in finding the switch." That is, not knowing if we find, at last, with the true Other, who is out there and so it can be liberating and not to the predator daily, thick and viscous, which awaits us from his little black mustache.

This poem concludes the first part of the book, no accident, Rebecca has titled "Night of profile " and contains nine poems as powerful as the original, so beautiful as terrifying. So you know, do like me: read it just before bedtime.

And if we were that night, of course, the cosmic cycle and the Unconscious, the prison of the material and mental chains that pull us to the cancellation and madness, in "Before air " take a step to something else.

a difficult, tortuous, but finally happened after all, no one promised us anything, much less that the path to liberation was a picnic. Needless to flee from an oppressive childhood "to a world for air " , we guarantee an outing, a future.

Some poets - I can think of three: Sylvia Plath, Anne Sexton and Alexandra whose works Pizarnik Share this book certainly more of a reference - not found. Or at least not in the "should knife of words" as suggested by Rebecca sometime.

Calling things by their name, ie violation of rape, incest, incest monster, the monster even if your father (or precisely because it is) help. Go if it helps. But not enough. Then you have to live with the scar. And the scar, we all know, it contracts and expands with changes in time, it hurts when it's cold and sometimes oozing.

Nor just force the issue to make good poetry. It also require verbal richness, sense of rhythm, imagination, sentiment. And a slow and patient that can build gold jewelry as

"souls who have been tortured

start from further away,

its truth

forks at the beginning "

O as

"dismembered never live

that life without crutches waiting,

far you, full of scratches. "

For every raped child, every woman attacked, all girls and women worldwide. And men who have made the monster and we destroy. For all of them, of course. Y also for ourselves.

For as we have learned, the notion of victim is "inseparable from the idea of \u200b\u200bguilt" and the more advanced "the more you retain the anchor of the executioner" .

Recently these are - thankfully - ideas which are publicized and discussed. With this propensity to banality, unfortunately inseparable from coated paper and theater cathode. But hey: at least discussed.

And yet, what catches the poems of Rebecca is not so much ideas but its form.

In verse - back to Poe - how is the idea and this can only exist, acquire substance, seduce or challenge us in a certain way and not others. The form, as Rebecca made from the first verse, plunges us into a universe, we are surrounded by an atmosphere. And is there in that atmosphere that they built, where the poems of Rebecca aboriginal women its highest expression.

Until, slowly at first, more rapidly later, "are breaking the waters reality, its flow levees burst " and produced this" blast "that we start from childhood, the overwhelming atmosphere of childhood. As Rebecca says:

"Ultimately there are only

red flowers on a grave

and are the beginning of the road "

What happens is that, as postulated " Reprint ", the third and final part of this book, all are becoming aware - if you buy - later. In general, too late. And you're always left with the uneasy feeling that, however much repeat Poe's raven, "Nevermore, nevermore" perched on the bust of Athena, that consciousness is never complete. There is always something more.

Because, for starters, says Rebecca "What do the anger / when you ignore the location of the ashes?"

And second, because despite the time elapsed, and the pain and effort, often "the alien who lives in you / child joins with the balls of your feet" (by the way, great The vodka and misandry, where this verse poem)

O, which is the same, that The aftermath of incest nest in the subconscious during the warmer months as entitled the latter, and in my opinion, one of the most successful poems in the book, the ending, let me repeat:

"If we have no body, if the aestivation

crocodile did not pose a threat.

SI hands

not be a shortcut to the light.

If we shadows. If only souls. If Plato

But not us. Or not alone. And, of course, Plato is better than Prozac. And vodka. And that any crucifixion more or less drunk on any cot. But the last therapy - Freud dixit - is summed up in two commitments: Love and Work.

is so difficult.

It's that simple.

To which I would add a third: Poetry.

As a literary genre, Poetry is probably the worst is explained and the less you need. People who read and hear poetry, we care little what was what the poet meant, or if he meant something. For us, the poem is what I read or heard triggers within us. What each of us feel and live, and is found wanting to feel and live, thanks to him. Which, of course, tends to vary each time you read or hear.

I enabled me to share with you today some of the things that reading Rebecca's first book I have mentioned. In the foreword he has written, Julieta Valero, proposes another evocation, another reading.

That is good poetry, that is inexhaustible because it allows multiple interpretations and proposed.

This book allows them he is good. It is actually very good. And you know how I know? Reading because I felt envy. And I would have liked to have published at the age of Rebeca first book like this. Violent and tender. Beautiful and terrible. Committed, as it must, in the most intimate and profound sense of the word.

I recommend it for real.

Thank Rebecca for having written and dare to publish it.

And thank you very much to Amargord, ie Chema de la Quintana , to launch a collection like Candela and have edited.

Alberto Infante

March 2011